Gobekli Tepe’s Animal Carvings as a Prehistoric Warning System

Some of the world’s oldest carvings may describe a comet strike in code.

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Gobekli Tepe predates the invention of pottery by several thousand years.

At , massive T-shaped pillars dating to 9600 BCE are covered in animals: foxes, vultures, snakes, and scorpions. For years they were considered decorative or mythological. But a controversial study proposed that specific animal groupings correspond to constellations as they appeared during the Younger Dryas impact event. One pillar, nicknamed the Vulture Stone, includes a headless human beneath a vulture, which some interpret as symbolic of death from the sky. Astronomical software simulations suggest the arrangement mirrors the sky during a comet strike around 10,950 BCE. If true, the carvings are not random wildlife art but a cosmic disaster memorial. The site predates Stonehenge by over 6,000 years. That would make it the oldest known attempt to encode astronomical catastrophe in stone.

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If the interpretation holds, Gobekli Tepe becomes humanity’s first warning label. Instead of written language, its builders used animals as symbolic shorthand for stars. This suggests prehistoric societies possessed complex mythic-astronomical systems long before agriculture spread widely. The carvings may have served as a generational memory device, ensuring knowledge of a catastrophic event was not forgotten. In a pre-literate world, stone was the hard drive. The symbolism would have allowed oral traditions to anchor to visual cues. It transforms the site from temple to archive.

Even if the comet theory remains debated, the carvings undeniably encode layered meaning. They demonstrate symbolic abstraction thousands of years earlier than previously believed. The idea that hunter-gatherers built a monumental astronomical calendar challenges older assumptions about “primitive” societies. Instead of survival-focused nomads, we see sky-watchers and storytellers. The animals cease to be simple decorations and become celestial metaphors. Humanity’s obsession with the heavens, it seems, is older than farming itself.

Source

Mediterranean Archaeology Review

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