The Catapult That Launched Dead Animals

Medieval armies once hurled diseased corpses over city walls to spread plague.

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Medieval armies catapulted plague-infected corpses over walls to intimidate and potentially spread disease.

During the sieges of the 14th century, attackers employed what historians now call 'biological artillery.' Catapults and trebuchets were used to launch the bodies of plague victims into besieged cities, intending to infect inhabitants and weaken defenses before an assault. Chronicles from the Siege of Caffa in 1346 recount such tactics, marking one of the earliest uses of biological warfare in recorded history. The psychological effect often preceded actual infection, spreading fear faster than disease. While the efficacy in terms of disease spread is debated, the horror and intimidation were undeniable. Engineers had to modify catapults to handle rotting corpses, accounting for extra weight and slippery surfaces. This gruesome strategy exemplifies how technology and human cruelty intertwined in warfare. It also illustrates that some military innovations are remembered not for engineering brilliance but for their sheer macabre audacity.

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The use of diseased bodies as siege weapons demonstrates how ancient and medieval warfare relied heavily on psychological terror. It transformed the city walls into not just a defensive structure but a target for moral and physical contamination. Leaders understood that fear could be as potent as steel, and sometimes more efficient. The strategy blurred lines between military and medical ethics, challenging modern perceptions of 'fair' combat. Chroniclers recorded the horror in graphic detail, amplifying the event’s cultural memory. This tactic also spurred defensive measures, such as quarantines and wall reinforcements, indirectly influencing urban health policies. In essence, siege engineering wasn’t just about mechanics—it was an interplay of biology, fear, and ingenuity.

Beyond immediate effects, these acts shaped the development of military medicine and public health. City administrators realized that fortifications alone could not protect against invisible biological threats. The siege-inspired fear of contamination contributed to early quarantines and cordons sanitaire in Europe. Militarily, it showed how artillery could be adapted to unconventional payloads, expanding the conceptual boundaries of weapons. Psychologically, it left a lasting imprint on societies, reinforcing the notion that war could corrupt even the natural order. The tactic highlights the darker side of engineering creativity, where effectiveness was measured in terror rather than innovation alone. Today, it serves as a stark reminder that some technological advancements are morally ambiguous, blending genius with horror.

Source

William H. McNeill, Plagues and Peoples

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